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Your generous support helps GTNT to provide meaningful programs that connect youth and the wider community with culture, language and history. Be a part of supporting the future of Saskatchewan’s Indigenous theatre scene!

TICKETS NOW ON SALE – Shadows Among The Prairies

เว็บสล็อต xo แตกง่าย 2021 ฝากถอน ไม่มี ขั้นต่ำ

Written by Jennifer Dawn Bishop
September 10 – 18, 2020
*Preview Discount Night Sept 9, 2021

Location: The Shakespeare On The Saskatchewan Festival Site
948 Spadina Crescent East

Synopsis:
We walk among shadows all the time, even when we are alone, we always feel something near. A woman, Elaine wakes to a disturbing limbo full of shadow beings, shadows that were once living humans. Elaine must find her way through this shadowed in between world with no memory of who she is or how she died. Elaine’s only companions, a young half crazed woman that died in the 1930’s and an old friend from the past. Can each of them find the light? Or fall further into darkness?

Performed by
Raven Brass
Jennica Grienke
Braiden Houle

Director: Carol Greyeyes
Mentor/Lighting/Set: Carla Orosz
Projection: Milaine Curé
Sound: Lenore Maier
Costume: Kihiw Iskwew-Pilon
Movement: Natasha Martina
Apprentice Mentee: Liam Scramstad
Stage Manager: Johanna Arnott
Production Manager: Jim Arthur

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To buy tickets by phone, group sales or if you have questions, contact On the Boards at 306-653-5191

New Show Announcement – Shadows Among The Prairies

SHADOWS AMONG THE PRAIRIES

Written by Jennifer Dawn Bishop
September 10 – 18, 2020
*Preview Discount Night Sept 9, 2021

Location: The Shakespeare On The Saskatchewan Festival Site
948 Spadina Crescent East

Synopsis:
We walk among shadows all the time, even when we are alone, we always feel something near. A woman, Elaine wakes to a disturbing limbo full of shadow beings, shadows that were once living humans. Elaine must find her way through this shadowed in between world with no memory of who she is or how she died. Elaine’s only companions, a young half crazed woman that died in the 1930’s and an old friend from the past. Can each of them find the light? Or fall further into darkness?

Performed by
Raven Brass
Jennica Grienke
Braiden Houle

Director: Carol Greyeyes
Mentor/Lighting/Set: Carla Orosz
Projection: Milaine Curé
Sound: Lenore Maier
Costume: Kihiw Iskwew-Pilon
Apprentice Mentee: Liam Scramstad
Stage Manager: Johanna Arnott
Production Manager: Jim Arthur

Ticket Information Coming Soon
Visit or follow us on social media to stay up to date!

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Welcome to the Gordon Tootoosis Nīkānīwin Theatre

‘And the day came when the risk to remain the same was greater than the risk to change. It is, after all, the only hope for the cocoon to become the butterfly.’

~Anonymous

tawāw. Welcome to Gordon Tootoosis Nīkānīwin Theatre. Nīkānīwin (pronounced knee-gone-knee-win) is a Plains Cree expression for ‘leadership’. Over the past year and a half, Saskatchewan Native Theatre Company (SNTC) has engaged members of the community regarding the next phase of our organization’s transition. In consultation with the Tootoosis family and after a process of ceremonial protocol, SNTC has successfully renamed our organization. Our new name, Gordon Tootoosis Nīkānīwin Theatre, honours Gordon Tootoosis, a Cree and Canadian icon and one of the founding members of SNTC. We have a new focus on mentorship of emerging Indigenous artists, a focus on Circle of Voices (COV). We have reinstituted the component of culture in everything we do -– our Cultural Advisor works closely with COV youth and with artists in the season’s programming. We are excited to open the doors to a new future for the company, one grounded in culture, language and history. When Gordon Tootoosis (Poundmaker First Nation) began working in theatre, there was a noticeable void of Aboriginal actors. He set out to fill that void by creating a platform for the development of young, burgeoning and experienced Aboriginal actors. In doing so, he has had a profound impact on both the Aboriginal and wider theatre community in Saskatoon and across the province and made an indelible mark on Canada’s theatre scene.






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